Stephany Says Update

Stanley Kubrick Slate Magazine

Things have gotten pretty busy since my script 1969 A SPACE ODYSSEY or: HOW KUBRICK LEARNED TO STOP WORRYING AND LAND ON THE MOON made The Tracking Board’s Hit List and the Black List.  I have had a lot more work on my plate (hooray), but I haven’t been able to write here as much as I’d like. I will do my best to keep posting monthly in 2014, because everyone needs more writing, film. And booze.

Until then, lots of exciting things are happening. If you have nothing better to do, check out the press:

LA Times

Slate

Mother Jones

Thanks for reading this silly blog in its inaugural year. Have a wonderful 2014!

Why Write?

typing monkeyAs I’m sitting here after days of not much sleep, hygiene or social interaction, I begin to wonder why I do this to myself? The hours of writing, researching, editing, and rewriting, and rewriting, and rewriting…

 In an attempt to justify my life choices, I have compiled a self-indulgent list of why I’m a writer:

1. I love words.

Seriously, I could read a dictionary and be entertained. No really, I’m that much fun. My favorite is the Oxford English Reference Dictionary that explains the roots of words. I love how words sound, and how they can be arranged into mind-boggling combinations to create meaning and emotional impact. There’s a rhythm to words and language, and I love every bit of it. Speaking of rhythm and music:

2. I can’t sing.

I firmly believe music is one of our purest art forms. With or without words, a song instantly paints a picture, tells a story and conveys emotion. Granted, I can play piano and clarinet (note very well), but I  can’t sing worth a damn. If I could sing you a song, I would. But my singing sounds like a dying cat, and so I’ll have to write you something instead.

3. Writing justifies the amount of bourbon I consume.

Enough said.

4. Writing is cheap.

A writer only needs pen and paper. If you want to get fancy, you can always get a computer or an iPad. Or a typing monkey.

5. Stories are important.

A good story transports you to another world, gives you a new perspective, presents a new idea and entertains. Stories are how we relate to one another, and how we make sense of the general chaos that is life.

For better or worse, stories show our humanity. Yes, stories are important and somebody needs to write them down.

Why do you write?

Screenwriting Books You Maybe Should Read

Honestly, I have no idea what screenwriting books you should be reading. I hate the whole idea of “should.”  The only thing you “should” NOT do is automatically take someone’s advice.

Rules were made to be challenged, and I firmly believe choosing advice is much like choosing a cocktail. Some drinks suit you perfectly, some make you gag, some leave you with a hangover, and some become your signature drink.  So here are the screenwriting books you might want to read, and my signature drink is  bourbon:

Screenwriter's Bible

1. The Screenwriter’s Bible: A Complete Guide to Writing, Formatting, and Selling Your Script by David Trottier

This book was handed to me in my first day of film school. It teaches you how to write, format and sell your script. I never read the parts on selling or writing your script, and I have no idea if that information is helpful. However, the information this book has on script formatting is priceless. The Screenwriter’s Bible is a clear reference guide that gives you the basics of script formatting with a handy index and glossary at the back. If you want to know all the formatting rules, this is your book.

Now once you learn the formatting rules, don’t take them too seriously. All rules should be learned so you can effectively use, break and bend them to tell your story.

Aristotle Poetics

2.  Aristotle’s Poetics by Aristotle

This work was composed around 330 to 350 BCE and is still relevant today. When reading Aristotle, keep in mind that “poetry” means “to make” or “invent” in Greek.  The theories proposed in this book apply to all forms of storytelling, and Aristotle will help you understand how to structure a plot and create dramatic tension. Most of your modern screenwriting books are based on his drama theories, so why not go straight to the source? And because this book is in the public domain, you can download it for free.

Hero With A Thousand Faces

3. The Hero with a Thousand Faces by Joseph Campbell

Everything you need to know about characters can be found in Joseph Campbell’s work. Tracing all the way back to the foundations of storytelling, Joseph Campbell breaks down character archetypes and shows how to tell universal stories that connect with any audience. The names, faces and formats change over the years, but all storytelling has certain things in common.  Joseph Campbell is the best at explaining how it all works.

Personally, I think you’ll learn more from reading actual screenplays than screenwriting books. So take my advice for what it’s worth. I’m off to pour myself a bourbon. Cheers!

Living Like It’s 2003

Take a look around and see what you can bring to the world. How can you make a difference? What do we all need more of? Take one look around, and it’s pretty obvious what we all need. We need more blogs. And I’m here to help.

So maybe I’m arriving late to the blogging party, but I’m still going to live my life like it’s 2003. Let’s face it, 2003 was a blissfully uneventful year. 2003 was the year of “meh.”

So please join me in strapping on a Discman, or an iPod the size of a brick, and let’s all go back in time to when we were all younger, no one gave a shit about zombies, economic and social collapse didn’t loom around every corner, and starting a blog was pretty new and exciting. Wasn’t that nice? Now come back to reality.

Seriously, stop living in the past.

It’s 2013, and everyone and their grandmother is blogging about something. Given the insane amount of competition for your attention,  I will try my damndest to keep the content on Stephany Says entertaining and informative. Honestly, I’ve just gotten tired of always writing for a paycheck and having to abide by the constraints that come with getting paid, so this is where I intend to play. It will be exactly like it says up top – I’ll mostly discuss writing and film. And booze. Don’t worry, I have plenty of experience with all three.

So come party with me like it’s 2003, and act like you give a shit another blog has been added to the Internet.